A Season For Querying

A while back, inspired by a comment a fellow writer made, I wrote a post about how there are seasons in writing. A season for editing, a season for publishing, a season for drafting, etc. Much as fields are left fallow and crops rotated, concentrating on one aspect at a time of the writing journey is something I’ve found helpful when improving my craft.

All this is a long way of saying I’m about to start querying again. By that, I mean I have a shiny new book, beta-read and edited within an inch of its life, that I’m sending out to agents in the hope that one might take me on.

The querying season is one of varying weather, I’ve found. The spring-like hopefulness of the beginning, where days are brighter, the possibility of warmer weather lying ahead. This is how it feels when query letters are sent out, small birds leaving the nest, hoping to find their place. There are also stormy days and dark days when rejections roll in or, worse yet, your query is completely ignored, languishing unacknowledged in someone’s deleted file. And then there are brilliant days, when the sun shines bright and all seems well with the world, when you get personalised feedback, a request for more information, or even a request for the full manuscript.

I’ve weathered all those different days on my writing journey, and I’m still here. I think my latest book is one of the best I’ve written, and there are more stories from the same universe revealing themselves as I write. Not bad for something that started with a fragment of a dream.

This querying season, I’m hoping for more sunshine than clouds. I’ll keep you all posted πŸ™‚

Update: I wrote this post last week, after sending out my first batch of queries. And, sunshine already, I’ve already had a full request! Watch this space…

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Enjoyed this post? Want to read more? Find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus you’ll find my books on Amazon (and A Thousand Rooms is available from all good book retailers). Visit my Amazon Author Page or my website to see more.

Writing With A Critique Partner

(note: I realise I’ve been posting quite a lot about the writing process since I returned to blogging. I suppose it’s because, when I was on my blog break, I spent most of it writing. However, don’t worry – I’ll still be wandering stone circles and photographing canal boats and weird doors and writing stories and generally rambling about stuff that occurs to me – I’m just taking a bit of time getting back into my blogging stride. Anyway, please enjoy this post – my critique partner is the duck’s guts, as my Aussie husband would say. Trust me, that’s a good thing…)

In my previous post, Stepping Into A Writers World, I mentioned that, when writing books, I work with a critique partner.

A critique partner is different than a beta reader. My beta readers are all wonderful people with whom I’ve shared my finished drafts, fingers crossed for their feedback. They are a vital part of my writing process.

However, my critique partner (who happens to be a kickass writer herself), works with me as I’m writing my story, and I do the same for her. We talk through plot points and help each other along when we get stuck, to a point where we know each other’s fictional worlds almost as well as we know our own. We make suggestions, edit sections of text for flow, clarity and plot points, and generally chivvy each other along until we get to the end of the first draft.

The idea behind working like this is to avoid major plot issues and ensure the story flows well before we get to the editing stage. We both work with professional editors who charge based on the number of hours they work, so providing a document that’s as polished as possible makes good financial sense, as well as, hopefully, making our own editing process shorter. Perhaps most importantly, a critique partner is a fresh pair of eyes. We can get so caught up in our own worlds that we miss important threads – a critique partner, who knows your story almost as well as you do, can help you see where you may have missed tying up a loose end, or had one of your characters do something, well, out of character.

If you find yourself a decent critique partner, tie them to you using magic spells or bribery or whatever means you have available, and DON’T LET THEM GO! Haha, just kidding.

Sort of.

Seriously, a good critique partner, one who ‘gets’ your writing and is willing to spend time working on your book with you, is worth their weight in rubies. If you can set up a relationship whereby you critique each other’s work, then all the better – the process then becomes a learning opportunity for both of you.

Of course, you can write a first draft perfectly well without a critique partner, and some people may not feel comfortable sharing their work at such an early stage. We’re all on different creative paths, so what works for one writer may not work for another. However, if you are looking for someone to work with, a good start would be within your circle of writer friends, perhaps with someone you feel has a similar writing style to your own.

Writing a book is hard work. But, with a critique partner along for the ride, you may find the journey a little bit easier.


Enjoyed this post? Want to read more? Find me on Twitter @AuthorHelenJ,Β  Facebook, Instagram and Pinterest. Plus my latest book release, Under Stone (Ambeth Chronicles #4), is now available on Amazon. Visit my Amazon Author Page to see more.