Facing Fear With The Silent Eye, Part 2 – Pestilence

I recently attended a workshop, with The Silent Eye, about Facing Our Fears, an extraordinary weekend spent among the hills and grey stone villages of the Peak District. It’s taken me a little while, as it usually does, to process everything that happened. Once again there was history and mystery, good company and tasty food, old friends greeted and new friends made. And, as always, revelations.This is part two of my account, part one can be found here

‘Go and have a look around. We’ve got a bit of time yet before the others get here.’

I can’t move.

We were standing in a courtyard, once the stable yard of the nearby manor house. The buildings had been converted into shops and restaurants, jewellery, homewares, tea and scones all set out for visitors. It was a gorgeous place, sun shining on golden-grey stone, pretty tables, green trees.

I can’t move.

Waves were battering her from all sides, sorrow overwhelming. But they were toxic, polluted, like water disturbed in a stagnant pond. It was difficult to breathe.

I should have known when my body started to tingle as we crossed the boundary into the village. But this was… intense. I took a couple of photos but, even though Sue suggested once more that I have a look around, I still couldn’t move, feeling assailed on all sides. The air seemed filled with floating flecks of gold. It was a very, very strange place.

The rest of the group arrived, greetings and introductions breaking me out of my strange immobility. It was lovely to see familiar faces, and to meet a new face, too. Thus assembled, our group of six left the old stable yard and headed out into the village. We took a moment on the nearby green to talk about the history of the village, Sue and Stu filling the rest of the party in on the dark history of the place. Sue has written an excellent post about it – however, the short version is this:

In 1665, plague came to Eyam. It was already raging down south, and, when a local tailor ordered a bolt of cloth from London, it arrived teeming with harbingers of death. Infected fleas on the cloth were released when it was unfolded, with the tailor and his assistant the first victims. But, as plague moved through the village, the inhabitants made an extraordinary decision. Encouraged by their reverend, the charismatic Mompesson, they decided to quarantine themselves from the surrounding area – nothing, and no one, were to leave the village until the plague had burned itself out. Eventually it did so, but took as much as two thirds of the population with it, a horrifying toll in a place with a population of only a few hundred souls. Many people lost their entire extended family, and had to bury their own dead. Parents, children, siblings, spouses. Small wonder, then, that this was a place bound in sorrow and the fear of loss.

After the introduction we headed along a road that was chocolate-box perfect in its prettiness, past ancient stone cottages garlanded in roses, gleaming golden in the afternoon sun. Yet dark history hid behind the stone walls, as plaques in the gardens attested, telling us the names of those who lived there during the plague, and those who died. Eyam is a place that makes its living from death, the sad history of the place drawing tourism from far and wide. But is it healthy to constantly relive such an episode? Places hold the energy of events that happen there – such as the warmth experienced in a happy home, or the sombre cold at sites of torture and death. Despite all the doubtless peaceful years that Eyam experienced, both before and after the plague, it has allowed itself to be defined by the events of that awful time and, while of course it’s important to remember and honour the deeds of the villagers who sacrificed everything for the sake of the larger community, the relentless focus on that time makes it difficult for the energy surrounding it to dissipate. I took few photos, and none of the plaques in the gardens with their grisly records of death.

As we neared the old church I was finding it difficult to breathe, a weight on my chest. Another member of the group felt the same way – there seemed to be no explanation for it. I was struggling against surging emotion, like being at the centre of a storm, despite the bright sunshine.

‘Did you say you’ve never been here before?’

‘Yes.’

‘You sure about that?’

We entered the churchyard, sun gilding the deep green yew trees, the ancient stones. There is a Saxon cross in the churchyard, relic of an even older time, one side carved with angels, the other with serpents, coiled around themselves.

… she remembered a wedding, being a bride in a bright gown, garlanded in flowers, laughing with her lover on another sunny day, as though the village wanted to remind her of happier times…

Churchyards are home to memory, to loved ones lost, a community of spirit. We wandered among the gravestones for a little while before heading inside the church. It was still difficult to breathe, but I felt less inundated than before.

…give me space…

Inside, the church was charming. Very old, and similar to several I’d visited before with the group. Usually such places are filled with years of calm, that concentrated energy of a place given over to love and prayer. In this church, however, death danced overhead, the spectre of that terrible time seeming to permeate the place. It did not feel peaceful at all.

Embedded in one of the walls was a stone cross, a cross of St Helen, and there was a beautiful window dedicated to her as well, but even the presence of my namesake saint didn’t do much to ease my discomfort. There was also an illustrated history of the church and the village, and another stained-glass window telling the story of the plague.

When we left the church even the sky felt spiked and heavy, vapour trails intersecting it like the slashes of a knife. And then, a rainbow, faintly coloured, a reminder that, even after the darkest storms, there is light and colour to be found again. It was fitting that it showed up as we prepared to leave the village, heading back past the cottages with their dark histories, past the manor and green.

As we reached the car park, I knew where we were going next. And I was concerned as to whether I’d be able to deal with it, after what I’d already experienced in Eyam. This weekend, however, was about facing our fears. And there was no turning back now…


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Around The World and Back Again

Getting back into this blogging thing is easier said than done, I’m finding. And it probably hasn’t helped that I’ve been away for the past three weeks on the other side of the world. Apologies for being late getting back to comments, too!

So, where have I been?

Back to my husband’s native Australia, to see family and friends we’ve not visited for seven years. It’s a trip that was a long time coming, house renovations and life getting in the way of previous plans to visit.

I confess, I was a little bit nervous about going back. Australia is a wonderful place, and there are a lot of people I love living there. But it’s a VERY LONG flight, and I’m not the biggest fan of flying. Plus, I found that, despite all the work I’ve done sorting myself out over the past few years, it turned out there was a bit of emotion to unpack about the idea of heading back to the place where I lived for seventeen years. As I said to friends when we were there, I have three passports and a lot of issues.

People often comment to me that I’ve lived such an interesting life, moving around the world, travelling and seeing different places. And I agree – I’ve been so fortunate to have lived in some wonderful parts of the world. But that has come at the price of roots, of continuity, of having a place that feels so familiar that, no matter where you are in the world, it feels like home. All the moving around I’ve done (24 different addresses, six different cities, three continents) has left me with a deep desire for a place that is mine, that won’t change and doesn’t move, where I know everyone and they know me. Returning to live in the UK seven years ago was full circle for me, both physically and metaphorically, as it’s where I was born, and where I feel most at home. Living in Australia was wonderful, definitely, but it was also tough, as I was (literally) half a world away from many of the people I loved most. Going back there brought with it a whole host of emotions and I had to keep reminding myself that I wasn’t going to stay there, that I was coming back.

That sounds awful, doesn’t it? As though I hated the place so much I couldn’t bear to stay there. This is not the case at all. If you’ve been to Australia you’ll know how beautiful it is, how blue the water, how bright the sky. Some of my best friends in the world live there, as well as family. It’s a country I truly love.

So, once I’d worked through all of that, I was able to face the flight with less stress and, when we finally touched down in Melbourne, I could enjoy the city for how wonderful it is. Our first day was a perfect Melbourne day – seeing family, walking through the Botanic Gardens to the National Gallery of Victoria to have lunch and see the Escher exhibition (quite a mind-blowing experience with jetlag), then dinner that evening with dear friends. And so the days unfolded, one beautiful experience after another, but each of them then tempered with goodbyes. And that, perhaps, is the key to my struggle. The endless round of goodbyes.

Well! This started out as a post to say hey, I’m back from my trip, but it’s turned into something quite different. As you can see from the photos, I had a fantastic trip in a wonderful part of the world. However, I’m glad to be back home again now (and I will be getting to comments, too!).

If you’re in the UK, here’s wishing you all a lovely holiday weekend. Also, May the Fourth be with you 😉 (Yeah, I said it.)

xx

#writephoto – Tryst

summerhouseThis week’s prompt for Sue Vincent’s #writephoto challenge is yet another gorgeous photo. Here is my response:

Purple Sky

‘I’ve always loved this time of day’, she said,

Her hair shaded purple in the fading light.

Her heart distant as the hillside across the water,

Unreachable, unclimbable,

Indifferent as the rising moon.

 

‘I love the way it makes me feel’, she said,

‘As though my heart were breaking

Bittersweet, melancholy, wouldn’t you agree?’

All I could do was nod, silent,

My heart breaking with hers

 

‘Will you be going soon?’ she said.

Words stark, pointed, like branches traced black

Against the setting sun. I nodded once more,

Leaving my heart under purpling sky,

Under darkened eaves, with her.


If you enjoyed this post and want to read more, you can find me on Twitter @AuthorHelenJ,  Facebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon.

 

30 Day Writing Challenge – Day Thirteen – Forgotten

img_2260Forgotten.

It is a word of sorrow, of lost things. Memories, people, ideas, thoughts – to be forgotten is to disappear.

We search through the forgotten, trying to piece together the past. But the flickers of light that made it real have long since faded, and all we are left with are the shadows of moments, separated from us by distance and time.

Yet each moment, each event, each life lived has left their mark upon this world. Faint impressions like the brush of butterfly wings, or distant smoke, making you wonder if they were ever there at all.

And to remember, even for a moment, is to bring them back.

———————————————————————————————This is my response to today’s writing prompt, part of the 30 Day Writing Challenge.

If you enjoyed this post, you can find me on Twitter @AuthorHelenJ,  Facebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon.

Circles Beyond Time – Release

This is the continued story of my weekend away with The Silent Eye. For the first instalment, please click here.

img_3545We left The Fox House in a small convoy of cars, heading towards Carl Wark. It’s a Neolithic site, designated a hill fort despite the fact it is like no other hill fort in the area. As we left the cars and started along the trail, we passed between two large stones. Though they were set far back from the path, they nonetheless felt to me as though they marked a gateway of sorts, the beginning of a path.

As we walked the curving path, talking among ourselves, the landscape opened up. To the right the stone was tumbled and jagged, evidence of more recent human activity, blasting into the natural rock for building materials. It felt unnatural, like a scar on the landscape when compared to the sweeping natural beauty to the left of us. Then the path changed, turning down towards a narrow stream that cut the valley in two. A low stone bridge was the only way across. But it was blocked.

img_3581A figure stood there in robes of wool, hair wild, a symbol bound on his brow, his staff held out to bar the way. We stopped. The figure looked like Stuart, and it sounded like Stuart, but there was an echo there of an earlier time. ‘Under the weather indeed,’ we muttered, equally entertained and enthralled by the spectacle. It was well done, as was the next part – each of us taking our turn to cross the narrow bridge and be welcomed into the land.

Ritual can be as simple as a few spoken words or a silent acknowledgement – it does not need to be complicated. And so it was here, words spoken and a welcome given, along with a name – a reminder that she was stepping back in time. As she crossed the water and began to ascend, her mood changed, emotion running high. Her fingers strayed to two rings on her right hand, gifts from her two beloved grandmothers – they were quite valuable, but she had felt bound to wear them. Tears prickled her eyes as she touched the golden circles, reminded of their love.

img_3551We ascended through heather and bracken, the path boggy in parts, large stones seeming to mark the way. I was feeling more and more teary for some reason, and I turned to Sue, who was behind me. ‘This is quite an emotional place, isn’t it?’

She nodded. ‘So you’re feeling it too.’

Ah. Yes, I was definitely feeling something. Sorrow, but an old sorrow, as though I were releasing a pain long held. I told Sue, though I don’t know why, that I had brought my grandmothers with me. She responded by telling me that was a good thing, as we were going to be working with the ancestors. Hmmm.

img_3549As we neared the summit, the scale of the stones crowning the hill became apparent. Large blocks and shapes were placed precariously along the edge, including one that stood out and seemed to change as we approached – one moment a fish, then a bird, then a curling shell, it drew the eye from every angle. Finally, we reached the top, and were greeted by an extraordinary Neolithic stone wall. After taking a few photos, we entered the enclosure to find stones placed everywhere, shaped and carved, defining pathways and areas to sit and take in the views. Yet the large stone perched on the cliff edge stood out, and it felt strangely as though it were watching me.

…all at once she could see that the stone was a raven, wings furled, beaked head turned to greet her. She caught a glimpse of blue and cloth of gold, the raven’s eye following her wherever she went.

‘Kneel.’

The command came, and in her mind’s eye she knelt, weeping as two ravens, living feather and bone, flew past, black against the smoky valley below.

img_3561My eyes were full of tears, emotion rolling over me. Stu and Sue came back along the path and I whimpered something incoherent about ravens and grandmothers before wandering further in, gradually regaining my calm. Eventually, we gathered once more as a group, taking shelter from the wind among a cluster of huge boulders to hear more about the history of the place, and to share any poems or readings we felt might be appropriate. There were a few poems read, then one of the group gifted us with a song, his voice rising with the wind across the valley, a lovely serenade to the landscape. When he finished we all applauded, then Sue invited us into a meditation.

…the great stone seemed to rise and fall beneath her, a movement separate from the buffeting wind, from the rhythm of the song. As though she leant against the side of some great beast, breath blowing in and out, a creature of earth and rock. She spiralled back through the years, travelling out across the valley to the high ridges beyond, a silver thread connecting her back to the group at the rocks…

img_3576We were going to stay and watch the sun set, but the wind was growing stronger and the low grey clouds meant there probably wouldn’t have been much to see other than a darkening sky, so the decision was made to head back to The Fox House and see if we could get our reserved table any earlier. We headed back to the stone wall for a group photo, then started back down the slope. As we crossed the bridge over the stream we each paused, taking a moment in our own way to mark the sanctity of the place we’d just visited. I felt quite different than how I had when I ascended, something I had been carrying a long time released.

img_3570When we reached The Fox House, they were happy to accommodate us. Amid the good food and conversation, I mentioned to Sue that I’d written a poem for the weekend. ‘But it didn’t feel the right time to read it,’ I’d said, ‘plus I think there’s another verse.’ There was certainly another line – ‘Sleepers awake! Tell us your dreams.’ It turned round and round in my mind, and I knew it had to be included somehow. I pulled the notebook from my bag and gave it to Sue to read. She did, then passed it on to Stuart. He read it, then nodded at me.

‘We can work with this tomorrow, if that’s okay with you.’