#writephoto – Dark

Sue Vincent’s #writephoto is a wonderful source of inspiration, and this week she’s shared this beautiful photo as her prompt. She also shared another post, Breaking the Rules, which featured an interpretation of a Pablo Neruda poem that really spoke to me. The words that came to me were inspired by both of them. And here they are:

Darkness falls

Or does it rise?

From silver lakes

In hollow hills

Cradled in

A giant’s hand

Long fingers reach

Beyond the stars

Leave your cares

Leave work

Leave the slow death behind

Follow the water

As it gleams

I wait for you

To join me here

Where time itself

Slows and stills

Ride with me

Through valleys deep

And let us dance

Beneath the stars

Leave your cares

Leave work

Leave the slow death behind

Follow the water

To your dreams

Darkness rises

And it falls

And nothing is

Quite as it seems


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Maiden Mother Crone, Part 7 – The Dance

It was Sunday morning, and it was raining again. But I breakfasted with friends, warmth and laughter a pleasant way to begin the day. Outside, a raven wandered along the wooden fence – one of our group remarked on him, as he was quite unusually large. ‘He was there yesterday, as well,’ I said. Sue had mentioned to me the day before, as we stood in Midmar circle, that it was the time of the Raven, so it seemed appropriate to see him waiting there.

After breakfast we met the rest of the group at the usual place, before splitting into smaller groups to head to the first of three planned sites for the day. Aftera short drive we pulled up on a road running alongside a petrol station, brambles and bushes tangled along the verge, and what looked like a bit of a wasteland on the other side. Yet, that was our destination

This unprepossessing piece of ground was actually once a place of some significance. As we took the narrow path through tall weeds the land seemed to rise around us, cradling us in a bowl. The long grass hid shapes that revealed themselves as we came closer, a circular henge surrounding three standing stones our destination.

Another carved Pictish stone, the Broomend of Crichie, awaited us and, as we entered the henge, once again soft drizzle began to fall. The modern world seemed to fall away and, as the ancient site was described by our guide, it seemed to come to life around us. The long avenue once featured 12 pairs of stones – though only one stone remained, it was in situ, unlike the three stones in the circle. There have been excavations done on the site, but more work is yet to be done to fully understand this place.

But we had to keep moving. It was the final day of the weekend, the companions all had places to get to before the end of the day, and there were still two more sites to visit. So we headed into the countryside once more, our next destination the Loanhead of Daviot, another recumbent stone circle.

As we walked the pathway to the stone circle my gaze was drawn to the left, to a rise in the woods where I could see a couple of large stones, and I stopped to take a photograph. A tree up ahead seemed to hold the shape of a dragon, and the land itself felt full of wonder.

The trees opened out and we found ourselves on the side of a slope, almost at the summit but not quite, as we had seen with the other recumbent circles we’d visited. This circle was complete, and quite large – over twenty metres in diameter, the huge recumbent stone flanked by two taller stones.

The remains of a circular burial cairn lay next to the circle. Excavation in 1934 found burials with Iron Age & Beaker pottery, while subsequent work uncovered flint scrapers and a Bronze Age sword mould, showing the site was in use for many centuries.

‘Well, this doesn’t feel right. The bits in the middle.’

‘They seem more modern, maybe they were done later’

I was having this conversation with one of the companions, both of us bemused by the large jumble of stones spread across the centre of what was otherwise a perfectly lovely stone circle. There was none of the turmoil of Cullerlie here, but the stones were rough and difficult to walk on, not exactly conducive to ritual. It didn’t feel uncomfortable, it just felt… out of place. As we spoke, we heard our guide explain that the Victorians had moved the stones from the nearby cairn to spread across the centre of the circle, because they thought that was how it should be.

Why they haven’t been moved back I don’t know. I guess it will remain a mystery.

We stayed at the circle for a while, the usual rain appearing to soak us. By now it was expected, and we simply put up our hoods and got on with it. Our guide pointed across the small valley to the slope opposite, asking us what we could see. And there it was, another recumbent with two flanking stones, all that remained of another circle, the rest of it lost to time. Clearly, to the people who worked this landscape, the circles were deeply significant and important enough to make in multiples – it’s a shame that we don’t really know why.

One of the group had stopped on their way in to talk to an older man working on the site, and he had told him a story of a ghost, a woman in a green dress, said to dance in the circle at night. The area was used by Scouts and the story was told to scare them – we found it intriguing, in light of what we’d learned about the circles and their uses.

The stones cannot stop the dance…

I heard this very clearly, afterwards, the words strong in my mind, beautiful with their sense of freedom, their message reaching beyond the circle, a smile in the voice saying them. Whether it was the influence of the charming storyteller, or something else, I’m not sure. But it felt as though someone linked their arm with mine, wanting me to come with them.

Come with me, I would show you something. In the woods…

I went to the trees, a wire fence stopping me from entering the woods proper. But I think I could see what they were trying to show me. A small ridge, stones piled there, the same spot that had caught my attention as we’d entered the site. I took another photograph, because it felt like the right thing to do.

It was time to go, so we bade the place farewell. One more site to visit before the weekend was out…

This is my account of a recent weekend away with The Silent Eye. Click here to read Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6.


If you enjoyed this post and would like to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.

Wednesday Wander – El Peix, Barcelona

I’ve been to Barcelona twice, and both times I visited the beach. Yet, before I visited, I’d never thought of Barcelona as a ‘beach’ city. To me it was a place of dance and food and architecture, home to Gaudi, one of my favourite architects. I knew it was on the coast, but Barceloneta beach was an unexpected delight.

On my second visit we spent half a day or so there, hubby and the gorgeous girl in and out of the water as we looked for shells and soaked up the sunshine, eating fresh paella at one of the many seafront cafes before returning to our hotel sandy and happy. We also took a walk along the wooden boardwalk, heading towards an unusual structure we could see gleaming golden  in the distance.

It turned out to be El Peix, a golden fish sculpture created by renowned Canadian architect Frank O. Gehry for the 1992 Olympics. Built as a canopy to link a hotel, casino and restaurants, it’s now one of Barcelona’s most well-known landmarks.

It’s not the only Gehry we’ve seen – in Seattle we spent a wonderful day at the EMP, marvelling at the colours and curves of the extraordinary building. It seemed fitting to see another piece of his work in Barcelona – Gehry, like Gaudi a century earlier, twists shape and form to challenge what can be done architecturally, creating structures like no other. We’re heading to Bilbao this summer and I’m very much looking forward to seeing the Guggenheim there, another of his famous works.

But for now I’ll leave you with Barcelona beach palms against a brilliant blue sky, a memory of a golden day. Thanks for coming on another Wednesday Wander with me – see you next time!


If you enjoyed this post and would like to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.

 

 

#writephoto – Shore – The Meeting

This week Sue’s #writephoto prompt is a lovely image of sea and sand. Here is my (short but hopefully sweet) response:

The Meeting

Curving, carving,

A river through sand

A ribbon of silver

Meeting the sea

 

Dancing, splashing

A foaming blue line

An endless cycle

Meeting the land


If you enjoyed this post and want to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.

#writephoto – Under The Moon

red-moon-011Every week, Sue Vincent sets a #writephoto challenge, using one of her lovely evocative photographs as a prompt. To participate, you have until Wednesday each week to write your post, with a new prompt posted on Thursday. This week, Sue shared an image of the full moon – this is my response:

‘All night long make tropic love, the next day sit in hot sun and cool off.’

She smiled, leaning back in her sun lounger, sipping rum and coca-cola, just like the song crackling from the old radio. Putting her drink down she stretched, feeling a slight twinge across her hipbones, as though they were slightly bruised. She frowned, a flash of dream from the night before sliding through her mind.

A dream of slipping out of the house into a silvery night, the moon a pale lantern leading her up through the trees behind her house, to where the land was smooth and green, raised like a breast towards the sky. Ridges carved into the earth formed a pathway strewn with starlight, and she danced along it, the silk and cotton of her nightgown soft against her bare legs, her hair long down her back as she twirled, arms lifted to the skies.

When she reached the top she saw others there, faces she recognised from the village, their arms raised as though to catch the silver light, eyes wild with the dance. And others still that she didn’t know, with pointed fox faces and strange gleaming eyes, their lithe bodies twisting as they moved among the dancers. Under the midsummer moon they had danced, woven silver and shadows, coming together to lie on soft grass under whirling stars until she had felt herself lifted, golden, becoming part of something larger and wilder…

And then she had woken, alone in her bed, the moon a soft orb glimpsed through her open window, fading in the light of dawn. She had stared a while, before sleep claimed her once more, not waking until sun streamed bright through the glass, warming her from head to toe.

It was a strange dream, she mused, taking another sip of her drink. She ran a hand through her hair and something caught in her fingers. A blade of grass, green as summer leaves, smooth as silk, wild as a dance.

As a dream.