Maiden Mother Crone, Part 7 – The Dance

It was Sunday morning, and it was raining again. But I breakfasted with friends, warmth and laughter a pleasant way to begin the day. Outside, a raven wandered along the wooden fence – one of our group remarked on him, as he was quite unusually large. ‘He was there yesterday, as well,’ I said. Sue had mentioned to me the day before, as we stood in Midmar circle, that it was the time of the Raven, so it seemed appropriate to see him waiting there.

After breakfast we met the rest of the group at the usual place, before splitting into smaller groups to head to the first of three planned sites for the day. Aftera short drive we pulled up on a road running alongside a petrol station, brambles and bushes tangled along the verge, and what looked like a bit of a wasteland on the other side. Yet, that was our destination

This unprepossessing piece of ground was actually once a place of some significance. As we took the narrow path through tall weeds the land seemed to rise around us, cradling us in a bowl. The long grass hid shapes that revealed themselves as we came closer, a circular henge surrounding three standing stones our destination.

Another carved Pictish stone, the Broomend of Crichie, awaited us and, as we entered the henge, once again soft drizzle began to fall. The modern world seemed to fall away and, as the ancient site was described by our guide, it seemed to come to life around us. The long avenue once featured 12 pairs of stones – though only one stone remained, it was in situ, unlike the three stones in the circle. There have been excavations done on the site, but more work is yet to be done to fully understand this place.

But we had to keep moving. It was the final day of the weekend, the companions all had places to get to before the end of the day, and there were still two more sites to visit. So we headed into the countryside once more, our next destination the Loanhead of Daviot, another recumbent stone circle.

As we walked the pathway to the stone circle my gaze was drawn to the left, to a rise in the woods where I could see a couple of large stones, and I stopped to take a photograph. A tree up ahead seemed to hold the shape of a dragon, and the land itself felt full of wonder.

The trees opened out and we found ourselves on the side of a slope, almost at the summit but not quite, as we had seen with the other recumbent circles we’d visited. This circle was complete, and quite large – over twenty metres in diameter, the huge recumbent stone flanked by two taller stones.

The remains of a circular burial cairn lay next to the circle. Excavation in 1934 found burials with Iron Age & Beaker pottery, while subsequent work uncovered flint scrapers and a Bronze Age sword mould, showing the site was in use for many centuries.

‘Well, this doesn’t feel right. The bits in the middle.’

‘They seem more modern, maybe they were done later’

I was having this conversation with one of the companions, both of us bemused by the large jumble of stones spread across the centre of what was otherwise a perfectly lovely stone circle. There was none of the turmoil of Cullerlie here, but the stones were rough and difficult to walk on, not exactly conducive to ritual. It didn’t feel uncomfortable, it just felt… out of place. As we spoke, we heard our guide explain that the Victorians had moved the stones from the nearby cairn to spread across the centre of the circle, because they thought that was how it should be.

Why they haven’t been moved back I don’t know. I guess it will remain a mystery.

We stayed at the circle for a while, the usual rain appearing to soak us. By now it was expected, and we simply put up our hoods and got on with it. Our guide pointed across the small valley to the slope opposite, asking us what we could see. And there it was, another recumbent with two flanking stones, all that remained of another circle, the rest of it lost to time. Clearly, to the people who worked this landscape, the circles were deeply significant and important enough to make in multiples – it’s a shame that we don’t really know why.

One of the group had stopped on their way in to talk to an older man working on the site, and he had told him a story of a ghost, a woman in a green dress, said to dance in the circle at night. The area was used by Scouts and the story was told to scare them – we found it intriguing, in light of what we’d learned about the circles and their uses.

The stones cannot stop the dance…

I heard this very clearly, afterwards, the words strong in my mind, beautiful with their sense of freedom, their message reaching beyond the circle, a smile in the voice saying them. Whether it was the influence of the charming storyteller, or something else, I’m not sure. But it felt as though someone linked their arm with mine, wanting me to come with them.

Come with me, I would show you something. In the woods…

I went to the trees, a wire fence stopping me from entering the woods proper. But I think I could see what they were trying to show me. A small ridge, stones piled there, the same spot that had caught my attention as we’d entered the site. I took another photograph, because it felt like the right thing to do.

It was time to go, so we bade the place farewell. One more site to visit before the weekend was out…

This is my account of a recent weekend away with The Silent Eye. Click here to read Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6.


If you enjoyed this post and would like to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.

Maiden Mother Crone, Part 3 – Balance

The next morning I woke early and went to breakfast – to find several of the group already there, including our guide. We hadn’t realised we were staying at the same place, so it was a nice surprise to catch up before the day began. The meeting place for the rest of the group was a short walk away, and I set out after breakfast, wandering past old stone houses and tall pines, glimpses of sunshine giving me hope the day wouldn’t be quite as wet as the previous evening. Nonetheless, I had worn my wet weather gear again. We had several sites to visit that day, and I wasn’t sure when we’d get back to the hotel.

When I think about the second day, the first stone circle we visited remains elusive, for some reason. I cannot quite grasp where we were or what we saw. Perhaps that’s because of what came after, at the place of the dead. Even though the locations of the rest of the weekend are clear, I had to look through my photos to remind myself where we were.

And now I remember. The church at Midmar.

When we arrived, pulling into the small car park, it was wet underfoot but not yet raining, green leaves reflected in puddles along the track that ran nearby. The church itself was charming, blue doors and window frames a bright contrast to the surrounding green and grey. And beyond, just peeping around the building, we could see what looked like part of a stone circle.

The church was built in the 19th century, perhaps deliberately in such a position so as to block the view from the stone circle to a nearby standing stone. The circle itself has been ‘tidied up’, as the sign put it, which meant removing one or two stones completely so hearses or wedding cars could be parked there, as well as replacing several other stones in positions not original to the site.

Despite these adjustments, the stones that remained still spoke, still held power and beauty. The great recumbent lay in place, flanked by its companion stones, their sharp smooth edges, so we were told by our guide, directing the eye to significant solar and lunar events, the circle aligned precisely with the movements of the sky. The church did not diminish their power –rather, there was a sense of unity there, of both temples cohabiting the same site, peaceful on their hillside.

Once again we were invited to find a stone that ‘spoke’ to us, a place where we felt comfortable within the circle. One stone caught both me and another of the companions, inviting us to look closer, to photograph its moss strewn surface, unable, unwilling to leave its side, even when urged to join the rest of the group. It wasn’t until I took a small stone, blessed, from my pocket and bent down, burying it in the earth at the base of the stone, that it released us. As I stood up my companion, who hadn’t been able to see what I was doing, said, ‘Shall we go?’

It was raining, of course, the weather that seemed to follow us from site to site returning, though with none of the wildness of the previous evening. We wandered through the graveyard afterwards, all of us stopping to admire the gravestone of a local artist, decorated with a beautiful tree-of-life sculpture (for more information about this grave, head over to Sue’s account of the day, and the comments by Running Elk).

Before we left, I went to the old tumbled stone wall and, through a space in the trees, took in the beautiful view. Like Easter Aquhorthies, this circle was built almost at the top of a rise – almost, but not quite – for a lovely sense of harmony with the land.

There was a peace to this place, a feel of tree and stone and endless time, even with the more modern church nearby. It felt in balance, as though all things were well. This was in contrast to our next destination…

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If you enjoyed this post and would like to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.