The Loss Of Touch In A Post-Covid World

I attended a funeral on Wednesday for a dear family friend, someone I’ve known my whole life. He didn’t die of Covid; rather, of old age and ill health and a broken heart. He did die alone, though, except for nursing staff, his friends and family unable to visit him in his final weeks. Still, we gathered to celebrate his life, one of colour and flamboyance and dancing to his own beat, unapologetic to the end.

In the UK we’re still under some restrictions due to the Covid outbreak (and I think they’ll increase again, sadly – we are not out of this yet). Therefore, only a dozen mourners were allowed at the funeral. His neighbours, though, lined the street as the hearse passed, and there was love aplenty to lift him to the next realm. When we reached the chapel, there were only a dozen chairs scattered around the large space, instead of the pews and crowds and whispered hum of a usual funeral. We each took a chair, pulling them into small family groups of two or three, all of us nodding and blowing kisses across the room. But there was no touching. No hugging or comforting or patting of arms. No shaking of hands or kissed cheeks. Afterwards, we sat in separate chairs in my parents’ back garden and toasted our lost friend, telling stories of his life as we ate from our own serving bowls, the food prepared using gloves and tongs and tiny dishes, rather than the usual free-for-all of big plates and togetherness.

It was very strange.

I couldn’t put my finger on what about it, exactly, was strange, until later in the day. And I realised it felt as though everyone was mad at me. There was no change in conversation, in how we talked and laughed and related to each other. But without the hugs and closeness and touches of everyday life, I felt, somehow, on the outer. And it made me realise not only how much the world has changed due to Covid, but also how important touch is as part of our human existence.

In ancient times, when humans lived in tribes, the community was how we protected ourselves, strength in numbers. To be exiled from the tribe was basically a death sentence. In medieval times, when prisoners were sent on the long journey to London and the tower, no one would talk to them or interact with them in any way, in case they be seen as sympathetic to their crimes. This is, in fact, the origin of the phrase ‘Sent to Coventry’, as Coventry was an important stop on the way to London. Closeness and acceptance within our own community is a sign that we’re part of something, that we’re included, not shunned. Yet now we cross the street to avoid getting too close to people, stand in the driveway and shout, rather than having close conversations. We have to do these things, of course, but I wonder what impact it is having on us as a society.

We communicate so many things through touch. The handshake, the hug, the pat on the back. The kiss on the cheek, on the hand, or the lips. Holding hands. Linking arms. The Maori hongi and the Inuit kunik, rubbing noses to express affection. We affirm our relationships, whether business or friendship or family or lover, through touch, and it is how we experience much of the world. So, as a species, to have touch taken away from us is a very strange thing.

I’ve been fortunate during this crisis to have both my husband and daughter at home with me. Hugs are not in short supply in our house. I can’t imagine how it must feel to be cut off, to be isolating alone, with no human touch at all. And I wonder at the long-term fallout of this, of the mental impact of going without such an important sense for so long. Even before Covid there was growing distance within our communities, people not knowing their neighbours, much of our lives lived online. Once we return to whatever normal will be when this is over, I wonder what will happen – whether we’ll continue to keep our distance, or perhaps make more of an effort to seek out human contact, rather than shut ourselves away.

I hope the latter is the case.


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#writephoto – In The Flames

flameI do enjoy Sue Vincent’s #writephoto prompts, and the variety of responses she gets for each image. I usually know, when I look at her photos, whether I have something. This is what came to me for this week’s prompt:

What do you see in the flames, little one?’

Her hair was burnished gold, little flickers around her rounded cheeks, small teeth like rice grains as she smiled. ‘I see stories, Nanna.’

‘Stories?’ I raised my eyebrows.

‘Yes,’ she said, reaching her small rounded arm towards the fire. I held out my hand, warning her back and she shook her head, curls bouncing.

‘Oh, don’t worry, Nanna. I know I’m not to touch, Mama said so. I just like to watch the pictures.’

I went still. A curl of excitement started in my stomach. It had been so long I’d almost given up hope. Our tribe had given up, too. I reached to smooth my hand over her soft hair, the fire casting spidery shadows from her long eyelashes as she watched the fire dance.

‘And so what sort of pictures do you see, my precious?’ I waited, half-holding my breath.

‘I see things that have been, and things to come.’ Her voice was deeper for a moment, her childish tones more grown up and I let out the breath. So here it was, here under my very nose. I closed my eyes, knowing that the path before her was long and hard, but that she was the only one who could walk it.

‘I saw the man, the man that came the other week? With the beads and the furs?’ She was all childish excitement again, grabbing at my hand. ‘I saw him ages ago, that’s why I knew what I wanted when he came.’

‘Did you now? Well, that is a fine thing.’ I laughed with her, remembering how she had chosen the small wooden boat, its prow carved like a dragon, like the ones the invaders rode on so long ago. ‘And why did you choose a boat?’

She turned to me, her little face all at once serious. ‘Because I saw them too, Nanna, in the fire. It told me the boats are coming. They’ll be here soon.’


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