The Loss Of Touch In A Post-Covid World

I attended a funeral on Wednesday for a dear family friend, someone I’ve known my whole life. He didn’t die of Covid; rather, of old age and ill health and a broken heart. He did die alone, though, except for nursing staff, his friends and family unable to visit him in his final weeks. Still, we gathered to celebrate his life, one of colour and flamboyance and dancing to his own beat, unapologetic to the end.

In the UK we’re still under some restrictions due to the Covid outbreak (and I think they’ll increase again, sadly – we are not out of this yet). Therefore, only a dozen mourners were allowed at the funeral. His neighbours, though, lined the street as the hearse passed, and there was love aplenty to lift him to the next realm. When we reached the chapel, there were only a dozen chairs scattered around the large space, instead of the pews and crowds and whispered hum of a usual funeral. We each took a chair, pulling them into small family groups of two or three, all of us nodding and blowing kisses across the room. But there was no touching. No hugging or comforting or patting of arms. No shaking of hands or kissed cheeks. Afterwards, we sat in separate chairs in my parents’ back garden and toasted our lost friend, telling stories of his life as we ate from our own serving bowls, the food prepared using gloves and tongs and tiny dishes, rather than the usual free-for-all of big plates and togetherness.

It was very strange.

I couldn’t put my finger on what about it, exactly, was strange, until later in the day. And I realised it felt as though everyone was mad at me. There was no change in conversation, in how we talked and laughed and related to each other. But without the hugs and closeness and touches of everyday life, I felt, somehow, on the outer. And it made me realise not only how much the world has changed due to Covid, but also how important touch is as part of our human existence.

In ancient times, when humans lived in tribes, the community was how we protected ourselves, strength in numbers. To be exiled from the tribe was basically a death sentence. In medieval times, when prisoners were sent on the long journey to London and the tower, no one would talk to them or interact with them in any way, in case they be seen as sympathetic to their crimes. This is, in fact, the origin of the phrase ‘Sent to Coventry’, as Coventry was an important stop on the way to London. Closeness and acceptance within our own community is a sign that we’re part of something, that we’re included, not shunned. Yet now we cross the street to avoid getting too close to people, stand in the driveway and shout, rather than having close conversations. We have to do these things, of course, but I wonder what impact it is having on us as a society.

We communicate so many things through touch. The handshake, the hug, the pat on the back. The kiss on the cheek, on the hand, or the lips. Holding hands. Linking arms. The Maori hongi and the Inuit kunik, rubbing noses to express affection. We affirm our relationships, whether business or friendship or family or lover, through touch, and it is how we experience much of the world. So, as a species, to have touch taken away from us is a very strange thing.

I’ve been fortunate during this crisis to have both my husband and daughter at home with me. Hugs are not in short supply in our house. I can’t imagine how it must feel to be cut off, to be isolating alone, with no human touch at all. And I wonder at the long-term fallout of this, of the mental impact of going without such an important sense for so long. Even before Covid there was growing distance within our communities, people not knowing their neighbours, much of our lives lived online. Once we return to whatever normal will be when this is over, I wonder what will happen – whether we’ll continue to keep our distance, or perhaps make more of an effort to seek out human contact, rather than shut ourselves away.

I hope the latter is the case.


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A Coventry Win, And A Guardian Article – Happy Weekend!

If you’ve read my Author Bio, or my About page, you’ll know that I grew up in Coventry, England. My family have deep ties to the City and most of them still live there, so I visit often. When I returned to the UK in 2012, I spent my first six months back in the country living there again, only moving away due to my husband’s work. It’s a place that holds a lot of happy memories for me.

Coventry is also the real-world setting for my Ambeth books. Alma lives on my old street, and the Gate of Oak is in the Memorial Park, a place that has always held magic for me. It is telling that, when I sat down to write my first book, Coventry was the inspiration and starting point. It is a city I still hold close to my heart.

So, when Coventry was named 2021 UK City of Culture this past week, I was thrilled! I tweeted out my congratulations, adding that I thought it a well-deserved win. Less than an hour later, through the strange workings of Twitter, The Guardian newspaper had contacted me. Would I like to write a piece about the city and why I love it, they asked. Would I? I jumped at the chance, even though they needed it done that afternoon and I was at work – there was no way I was missing this opportunity.

I was given 700 words and a short brief – truly, I could have written double that amount – and feel I only touched on the many layers of history and culture the city holds. The article was approved, and is now live on the Guardian site, less than 24 hours after my original tweet. (If you’d like to read it, click here)

And that’s it! A wonderful, and quite unexpected, start to my weekend 🙂 Wishing you all a great weekend wherever you are and, #happywriting.

xx

Thursday Doors – St Mary’s Guildhall, Coventry

IMG_2671This lovely building is St Mary’s Guildhall, located in Coventry, England. Built around 1340, reputedly partly from the stones of the castle previously on the site, the Guildhall is a wonderful example of a medieval building. It also contains some rather fabulous doors.

IMG_2638This is probably one of the newest doors in the building, most likely from the last century. Improvements were done to preserve the building in the 1930s, and this may have been when this door was put in.

IMG_2648 IMG_2647And this is probably one of the oldest doors in the building. It’s the door to the 14th century Treasury Chamber, set in what is thought to be an even older tower from the castle that previously stood here. I couldn’t get the best angle of the front of the door, but managed to get a good shot of the back showing the huge timbers and iron bolts – they built things to last in those days.

IMG_2661This is also a door, though a secret one, set into the panelling. Only the tiny keyhole and hinges give it away for what it is.

IMG_2641And this door leads into a rather splendid council chamber – it’s probably 14th or 15th century in date. The guide I spoke to said there were doors of all eras in the building, from the 14th right through to the 20th century.

IMG_2668Finally, this lovely door leads into the Drapers Room – I love the carving and linenfold detail on it, though I do think the metal push panel detracts from the overall look. This room also has a gorgeous stained glass window, which I am adding here as a bonus.

IMG_2669I will probably be doing a further post on the Guildhall, as it’s a fascinating place with a rich history. But for now, this concludes my Thursday Doors entry for this week, part of Norm 2.0’s Thursday Doors Challenge. For more doors, or to add one of your own, head over to Norm’s blog and click the link.

Thursday Doors – When Is A Door Not A Door?

IMG_2594Sorry, I don’t have a snappy punchline 😀 Instead I have a door – or, to be more precise, a doorway. The door is long gone, the doorway bricked over and its only ornament a crown of green. But once there was a door here, probably nine hundred years or so ago.

IMG_2613This is the corner of St Mary’s Cathedral, Coventry, the first cathedral to exist in the city. The original monastery on the site was built in 1043 by Leofric and Godiva (yes, that Godiva), Earl and Lady of Mercia at that time. The cathedral was completed about two hundred years later, and remained there until the 16th century, when good old Henry VIII, busy dissolving monasteries around the country, ordered it destroyed.

IMG_2606In 1856, the Blue Coats School built a new school building on the site, incorporating part of the ruins in the base – this is what you can see here, the newer red brick contrasting with the ancient stones of the old cathedral. The rest of the cathedral was buried, gradually, only bits and pieces remaining above ground.

IMG_2616Then, in 1999, Time Team were invited to Coventry to excavate St Mary’s. The archaeology was so good that the TV show broke their rule of staying only three days on one site and stayed an extra day, eventually discovering a long-forgotten burial chamber containing the bones of one of Coventry’s first priors. A subsequent visit revealed more artifacts, and their excavation is preserved, the ancient cathedral site revealed once more.

This is my entry to this week’s Thursday Doors Challenge, courtesy of Norm 2.0. For more doors, or to add one of your own, visit Norm’s site and click the link.

 

Thursday Doors – NatWest Building, Coventry

IMG_0933 These rather impressive stainless steel doors are the secondary entrance to the NatWest Building on Hertford St in Coventry.

According to Historic England, the NatWest building was constructed in 1929-30, and you can see an Art Deco influence in both the ornate door panels and the stone decoration on the arch. The icons on the doors were taken from British, Irish and Ancient Greek coins, and this door design was also used at several other NatWest branches across the UK, though in bronze or mahogany, rather than steel.

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The NatWest building, remarkably, survived the Coventry Blitz of November 14, 1940, and is now a Listed Building. The Blitz was one of the most devastating bombing campaigns of World War II and decimated much of the mediaeval city centre including Coventry Cathedral, located just a few streets away from this building.

This is my entry to this week’s Thursday Doors Challenge, courtesy of Norm 2.0. To see more doors or add one of your own, head on over to his site and click the link.

Wednesday Wander – Ford’s Hospital, Coventry

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This week I am wandering to the city where I grew up. Coventry, in the Midlands, is a city with a long history. It is where Godiva rode the streets naked, where the original Peeping Tom first looked at what he shouldn’t, where kingmakers, nobility and powerful abbeys once ruled together. It’s where the phrase ‘true blue’ was coined, said to refer to a particular type of blue dyed cloth made in the city during the middle ages, which held its colour very well. Coventry was also a major stopping post on the way to London, so prisoners of rank, including Mary, Queen of Scots, were held here for a time before being transferred to the Tower for execution. During that time, no-one would speak to them for fear of being seen as a sympathiser, hence the idea that no-one speaks to you when you’ve been ‘sent to Coventry.’

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In the 1930’s, three acres of some of the best preserved medieval streets in Europe were razed to accommodate new, wider streets and modern businesses. At the time, it was denounced as an act of vandalism in the press. Then the Second World War came, and much of the remaining town centre was destroyed in a single night of bombing on November 14, 1940, codenamed Moonlight Sonata by the Luftwaffe. There are theories that Churchill was aware of the bombing before it happened, but chose not to alert the city as it would have signalled that the Allies had cracked the Enigma code, so the city was sacrificed ‘for the greater good.’ However, these claims have never been proven.

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After the war Coventry city centre was rebuilt, with modern architecture covering most of what remained. However, there are still little pockets of history hidden away, and Ford’s Hospital is one of them.

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Built in 1509 as an almshouse for women, the hospital was badly damaged during the 1940’s blitz. Restored in the 1950’s, it is now seen as one of the finest examples of its type in the UK. When attempting to rebuild Shakespeare’s Globe Theatre, the designers came to Ford’s Hospital to understand Elizabethan doorways (thanks, Wikipedia!).

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So on a recent trip home, I went for a wander through the town centre, taking the alleyway down by what was once Habitat and is now just a shop selling tat, to find myself outside the hospital. It’s still in use, a modern (and fairly sympathetic) extension extending the original living quarters. The little garden on the side was green and well-tended, while Christmas lights sparkled in the ancient inner courtyard. And I took these photos, to share with you.

Thanks for joining me on another Wednesday Wander! 🙂