For Paris

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I first visited Paris when I was seventeen, my friend and I getting lost in the ancient streets, sitting in parks and watching people go by, caught up in the magic of the city. It felt strangely familiar to me; I suppose the fact I spoke French quite well helped.

I have been back several times since, including a recent visit where we saw old friends, went out for dinner and then to a rock concert, as Parisians do most nights of the week. As they did last night.

I will not let such horror and atrocity take away the magic and beauty of Paris.

Sending love and heartfelt sympathy to all those affected by last night’s events, a darkness in the City of Light.

Paris, je t’adore.

Indie Book Review: No Quarter by Helen Jones

The lovely Kate M. Colby has just reviewed No Quarter, the second book in my Ambeth Series – thanks, Kate! xx

Kate M. Colby's avatarKate M. Colby

no quarterNo Quarter (The Ambeth Chronicles #2) by Helen Jones
My rating: 4 of 5 stars

Disclaimer: I received a free electronic copy of this novel in exchange for an honest review.

No Quarter (The Ambeth Chronicles #2) by Helen Jones is the sequel to Oak and Mist (The Ambeth Chronicles #1), which I reviewed in this post. In effort to prevent spoilers (for both No Quarter and Oak and Mist), I’ve intentionally kept this review a bit vague and focused more on my experience as a reader than the novel itself.

No Quarter continues Alma’s journey in Ambeth and her quest to recover the lost Regalia. The story picks up literally where Oak and Mist left off — on the same evening and at the celebration where the reader left the characters. I found this an interesting choice, but having read Oak and Mist recently, I was able to get…

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Of Doors and Getting Back Into Things

I’ve just come back from holidays. Oh, very nice, you might say – and you’d be right 🙂

At the same time, it was a busy couple of weeks. No sitting around on beaches – instead we had a planes-trains-and-automobiles type trip starting in Vancouver, Canada and ending in Cambria, California, taking in the sights of Seattle, San Francisco and Monterey before heading to a family wedding on the coast.

I’ve written before about how being away can make a big difference, and so I have found it to be again. In June this year I had pretty major surgery, and the recovery process took quite a while. I also published my second book, upped my blog output and was training fairly regularly in a variety of different exercises, as I’m of the use-it-or-lose-it school of thought when it comes to staying active. Since my surgery I had been easing back into my usual life, so taking a break has let me see where I could make some more positive changes to my regular routine. I’m also part way through Elizabeth Gilbert’s Big Magic, and it’s certainly given me food for thought about how I conduct my creative life and what I expect from it.

I’ll be writing more about my trip over the next little while, including a post about the fact that I really, really dislike flying, plus a few other ideas that have been percolating in my mind. For now, I’ll leave you with this picture of a rather gorgeous door that I took in Cambria – perfect for Hugh’s News and Views latest Photography Challenge – Thursday Doors.

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And thank you to everyone who stayed in touch and kept up with my blog while I was away – much appreciated! xx

A quick update: Hugh from Hugh’s News and Views very kindly let me know that the door challenge isn’t his – it’s actually Norman Frampton’s, from Norm 2.0, and the link to his challenge post for today is here. So pop on over and check out his door, and add your own if you feel like it!

Wordless Wednesday – By The Canal

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Beach Treasure

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I found this on the beach last year. To me it looks like a porcelain dog’s head, weathered by its time in the sea but still holding a vestige of what it once was. And it is porcelain, not just some strangely weathered stone – traces of shining crackled glaze run under its ‘chin’ and the shape seems too regular to have been made by anything other than human hands.

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The beach where I found it is in South Wales at the mouth of a river. Tidal surges combined with a point make it perfect for surfing waves, one of the reasons we were there. A small town sits on the hillside above looking out across the silver sea, but there’s nothing at the river mouth now except green flatlands intersected with twining ribbons of water, then pebbly shingle as you get closer to where it meets the sea. But there was something once. Red bricks, weathered by the waves into undulating shapes, still overlaid in places by concrete aggregate, shattered and cracked by the power of the water, hint at a large structure here once, many years ago. And that’s where the story comes in.

This little piece of porcelain speaks to me of long distance voyages, creaking timber ships laden with treasure from lands steamy with tropical heat. Crowded ports ringing with voices, languages and customs in layers too heavy and convoluted to tell apart, a glorious mix of cultures and ideas. I imagine a journey south, stopping at spice-scented ports along the way, trading until the great horn of Africa is rounded and the long haul north begins. The ship with its cargo fetching up here only for a dish or vase to drop as it’s carried to shore, shattered porcelain pieces sinking below the waves, a journey ended just moments too soon. Or perhaps someone came home from the East (for this is Chinese porcelain, I can just feel it – a little snarling dog with cloud-like curling painted ears), leaving silks and gentle customs behind to return to the green mountains and cold waters of the north, bringing treasured possessions all this way only to drop something, a crate breaking or trunk popping open at the last moment.

So even though it’s just a little piece of broken china I found on a shore, it tells me stories that take me far out into the world. I love stuff like this, the energy they contain. There is a psychic talent, if you believe in such things, called psychometry, whereby someone can tell the history of an item simply by holding it, drawing impressions from the energy it holds. Perhaps story telling is another facet of this, drawing on experiences out in the world and tying them into a narrative. I don’t know where this came from, but I can dream and think and weave what I know with what I don’t, and there lies the story. I’ve said it before and I’ll say it again – stories are everywhere, if you care to look for them.

PS And for those of you who think this is a bit of old meerschaum pipe, or a funny looking stone, or something completely different, let me know! This is the story it told me – perhaps it will tell you something else xx

Wordless Wednesday – When Nature Takes Over

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Margaret Atwood and The Man On The Bus

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He had been handsome once, but now his hair was greying and unkempt, his face reddened by the elements or drink or some combination of the two. Still there was a twinkle, a lively curiosity in the dark eyes.

‘Hello, little one.’

His voice was roughened, gravelly, but his smile was wide as he watched the child bouncing to the back of the bus, keen to sit on the ‘cool seats.’

‘Do you like school?’ he asked and, when answered in the affirmative, seemed pleased, adding that he hoped she would go to university as well. ‘I never had the chance to go,’ he said, smiling at her. Then he looked at me. ‘I only really learnt to read properly when one of me ex girlfriends sat down to teach me.’ As he recounted his story it was without resentment – simply acceptance of a life lived and choices made, sweet appreciation of opportunities missed that now appeared again, manifested in a small girl.

‘What did you think of the man on the bus?’ I asked the gorgeous child as we walked, hand in hand, to dance class.

‘Nice,’ she said. ‘He was curious.’

Sometimes it takes a child to see to the heart of things.

I think that taking in your surroundings and the people you meet is a huge part of making your writing believable. Many years ago I had the pleasure of meeting Margaret Atwood. My friend Mark and I, two nervous high school students, interviewing one of the greats of Canadian (and world) literature – can you imagine? But luckily she was wonderful, absolutely charming and just as interested in us as we were in her. She was particularly taken with the tights I was wearing (from memory they were white and footless – bear with me, it was the eighties) and asked me several times if they had a special name. Then she explained that she kept the people she meets in a ‘filing cabinet’ in her mind, so she could call them up whenever she needed a character for her stories.

What a wonderful way to describe something so important to every writer, and a lesson to us all to remain engaged with the world around us.

Character Building

Book envy? Me?

It’s a strange thing, to dream a person to life. Yet that is what a writer does, creating characters to walk the pages of their book, talking and breathing and thinking and doing. I’ve had to come up with quite a few people for Ambeth, and the interesting and slightly eerie thing is that they seem to have taken on a life of their own. Oh, not in some sort of horror movie way, where I wake in the dead of night to find their hands on my neck (although that’s an idea for a story, isn’t it?) No, it’s a far gentler thing in that they speak through me, letting me know what is right and what is wrong for them, who they are with, who they are interested in and how they relate to other people on the page.

When I started to write about Ambeth I had three characters – the main protagonist and two others. I also had a situation, an idea of how they would combine and then implode, a single event that would change everything. As the story grew around them, more characters joining the cast, this single event did not change – in fact, it became even more pivotal, a jumping off point for much of what was to happen in subsequent stories. So I couldn’t change it; no matter how I looked at it, there was no other way. But the character who precipitated the event did change. He started off life arrogant and not so nice, someone who thought only of himself and his own needs. That was fine, I thought, as it was what I needed him to be. But then he started to become nicer, gentler, more loving. It was as if he were speaking to me, saying ‘I’m not such a bad guy.’ And, looking at it now I can see that this was absolutely true, that he is so much more than the one dimensional villain I dreamed up initially. But what was I to do about the ‘very bad thing’ he needed to do, the point on which the story turned? What was his motivation? A wise friend once said to me, ‘go to sleep on a question, wake with the answer.’ So that’s what I did. I commended my plot problem to the gods of storytelling and went to sleep. I woke the next morning and there it was. The answer. The reason for everything.

So the lesson for me was, as a writer, once you dream your characters onto the stage of your story, stand back a little and let them tell the tale. They will guide you as to what is right.

‘But this I know; the writer who possesses the creative gift owns something of which he is not always master–something that at times strangely wills and works for itself.’  Charlotte Bronte

Wordless Wednesday – Old Doulton Factory, London

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Unearthing Ideas

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Where do ideas come from? Ambeth was inspired, as I’ve said before, by something that happened to me when I was a child. But it has grown and evolved, the characters telling me things and taking me down paths I didn’t realise were there, and I’ve learnt to sit back and let them tell the story, my fingers mere conduits on the keyboard for what they wish to say. I’ve a few other ideas floating around – a house full of leaks, a glimpse of something in the Thames, a porcelain cap for my tooth, a dead woman – they are all jumping off points for other stories that are still percolating in my brain, waiting to come out.

I’ve heard the feeling of finishing a story being described as ‘entering open water’ – heading out to sea. But for me the analogy that rang true immediately came from the great Stephen King. He described finding a story as ‘unearthing a fossil,’ and as soon as I read those words I could see mine. Can still see them, poking out from the forest floor, delicate carapaces of bone or polished wood, it’s hard to tell as I unearth even more of them. Three are now clear of the ground, the stories complete, just a bit of polishing required. The others are still offering up new discoveries, new aspects every time I look at them, whether it is a change of only a few words or a whole new idea. But the important thing is that I keep looking at them, keep exploring the angles, the nooks and crevices, until the job is done, the story told.

Perhaps it is something to do with the way a writer’s brain works. That we can take a single small event, or notice something strange while out for a walk and spin from them a story. Ideas are everywhere, if you care to look for them.