Wednesday Wander Revisited – Graffiti in the Beauchamp Tower, London

This week I’m revisiting a place that’s quite close to where I live, yet where you can see almost two millennia of history. The Tower of London, in one form or another, has been dreaming by the Thames since Roman times. However, it has a dark history, of which the Beauchamp Tower is just one small part. I’ve written other posts about this storied place, which I will revisit at some point – for now, take a trip into a brutal part of our past…

This week I’m taking a closer look at a part of the Tower Of London. I’ve written about the Tower before, and looked at some of the many doors, but it is a place so rich in history and significant buildings that I could probably write another half dozen posts and not cover it.

This week I’m wandering into the Beauchamp Tower. It looks and sounds rather a romantic place, but its history, as with many of the Tower buildings, is a sad one. From the 1300s it was used to hold high-ranking prisoners, including the Earl of Warwick (after whom the tower is named), the Dudley brothers, and Lady Jane Grey. Many of the prisoners, being wealthy and well-educated, left their mark upon the walls – this graffiti has been preserved and is now a popular attraction at the Tower.

The Beauchamp Tower overlooks the green where high-ranking prisoners, including Anne Boleyn and Catherine Howard, were executed. Lady Jane Grey watched from this window as her husband, Guildford Dudley, was beheaded, then was taken out and executed herself a short while later. The four Dudley brothers are commemorated within the tower in a piece of ornate carved graffiti, with roses for Ambrose, carnations for Guildford, oak leaves for Robert and honeysuckle for Henry.

Not all prisoners held in the tower were executed, but they must have seen their fair share of horrors through the leaded glass windows, and wondered whether they might be next. Despite the sunshine and the views, it was a cold place, not somewhere you would want to spend a lengthy amount of time. There are said to be ghosts in the Tower of London, and I wouldn’t be surprised if several of them were in the Beauchamp tower…

Thank you for coming on another Wednesday Wander with me – see you next time!


Enjoyed this post? Want to read more? Find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, Under Stone (Ambeth Chronicles #4), is now available on Amazon. Visit my Amazon Author Page to see more.

Wednesday Wander – Graffiti in the Beauchamp Tower

Wednesday Wander is back! I had a little bit of a break due to work and health turmoil, but it’s a new year, all is well, and it’s time to wander again. This week I’m taking a closer look at a part of the Tower Of London. I’ve written about the Tower before, and looked at some of the many doors, but it is a place so rich in history and significant buildings that I could probably write another half dozen posts and not cover it.

This week I’m wandering into the Beauchamp Tower. It looks and sounds rather a romantic place, but its history, as with many of the Tower buildings, is a sad one. From the 1300s it was used to hold high-ranking prisoners, including the Earl of Warwick (after whom the tower is named), the Dudley brothers, and Lady Jane Grey. Many of the prisoners, being wealthy and well-educated, left their mark upon the walls – this graffiti has been preserved and is now a popular attraction at the Tower.

The Beauchamp Tower overlooks the green where high-ranking prisoners, including Anne Boleyn and Catherine Howard, were executed. Lady Jane Grey watched from this window as her husband, Guildford Dudley, was beheaded, then was taken out and executed herself a short while later. The four Dudley brothers are commemorated within the tower in a piece of ornate carved graffiti, with roses for Ambrose, carnations for Guildford, oak leaves for Robert and honeysuckle for Henry.

Not all prisoners held in the tower were executed, but they must have seen their fair share of horrors through the leaded glass windows, and wondered whether they might be next. Despite the sunshine and the views, it was a cold place, not somewhere you would want to spend a lengthy amount of time. There are said to be ghosts in the Tower of London, and I wouldn’t be surprised if several of them were in the Beauchamp tower…

Thank you for coming on another Wednesday Wander with me – see you next time!


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Wednesday Wander – Bridge of Sighs, Venice

My wander this week is to Venice, Italy. I’ve written a little bit about Venice before, but this time I wanted to focus specifically on the famous Bridge of Sighs, so called because it was the bridge over which prisoners were taken before being executed or exiled from Venice. It is said their sorrow was such at their last view of Venice that they sighed, giving the bridge it’s name.

The bridge was designed and built in 1600 by Antonio Contino, and connects the interrogation rooms at the Doge’s Palace with the prison. Made from white limestone, it is ornately carved – even the bars on the small window are made from stone. As for the name… to be honest, and hopefully I’m not bursting too many bubbles here, if I were being taken to be executed I think I’d be doing more than sighing. Also, sandwiched between two buildings as it is, I wonder how much of Venice could be seen. I suppose it was one last look at the blue waters, at sunlight and fresh air, before being taken to their final destination – that, I can understand.

However, further research definitely bursts the bubble – apparently, by the time the bridge was built the days of interrogation and summary execution were over, so it was mostly small-time criminals heading over the bridge to spend short stints in the attached cells. Apparently Lord Byron, among others, is to blame for the more romantic notion, inspired by the beauty of the bridge on his travels to Venice in the early 1800s.

There’s also a Bridge of Sighs at Cambridge University, built in the 1830’s – whether there’s a similar tradition there, I don’t know.

There is a sweeter tradition associated with the bridge – that if you kiss someone while standing under the bridge at sunset (which you can only do in a gondola) you will love them forever. Perhaps the romantic setting has something to do with it. It is possible to tour the Doge’s Palace and cross the bridge and perhaps, even, sigh a little. However, the short time I had in Venice meant I missed out. Sounds like the perfect excuse to go back…

Thanks for coming on another Wednesday Wander with me – see you again next time!


If you enjoyed this post and would like to read more, you can find me on Twitter @AuthorHelenJFacebook, Instagram and Pinterest. Plus my latest book release, A Thousand Rooms, is now available on Amazon. Visit my Amazon Author Page to see more.

#BlogBattle – Hair: Behind The Mask

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This week, Rachael Ritchey’s blog battle theme is Hair, and this is my entry. It seems to be Historical Fiction:

Behind The Mask

She had cried when they cut her hair. At least, that was what he had heard. But stories told from behind prison walls grow in legend or ridicule, depending upon who is doing the telling.

He had also heard that it was the only emotion she had shown. No other tears, not even when they passed down her sentence, when she was led to the stone tower where she would spend her final days, shut into darkness alone.

It had been her great beauty, apparently. Hair like pale sun on wheat, long enough to sit on. Add to that her youth and her lustrous grey eyes, set against the gilded halls she frequented, enough to make her stand out even in the most illustrious company.

But youth and beauty are no match for age and power, and the man she murdered had been powerful indeed. Never mind that he had been her father. Never mind the rumours of what he had done to her for years, had let his friends do to her, hidden behind privilege and the high walls of their palazzo.

He thought of his own daughter and his heart clenched, his being shying away from the idea of visiting such desecration on her tender flesh. He shifted, wood creaking beneath his feet, his hands tightening on the timber he held, worn smooth with use.

He could see her coming, now. Hear the calls and jeers of the crowd. Yet even they seemed more subdued than usual. Word had travelled, and she had more than the usual amount of sympathy. Including his own. He shook his head slightly, as if to dislodge the thought. He wondered, not for the first time, whether this had been the right path, the right choice, for him.

His job conferred privilege, though his family knew not what he did. Though he thought his wife might suspect, the nightmares that brought him screaming from sleep perhaps more than would trouble a captain of guards, as she thought him to be. He clenched his jaw, tilting his head to one side and stretching his neck, which had grown tight.

The cart drew to a stop at the base of the stairs. The crowd grew silent as the guards opened the back of the cart and helped her down, even their hands on her slender arms more of a courtesy than to stop her from escaping. She stumbled, her bare foot catching on the timber frame and several women cried out, the guards stopping her from falling.

He had seen so many come to the scaffold. Crying, screaming, others numb with shock, still others pleading and begging, protesting to the very end. But she was none of these. She stood, looking at each guard until they let go of her arms. They did, finally, stepping aside. One of them bowed his head. She nodded in return. Then, taking the rough brown cloth of her skirt in her hand, she held it as though it were the finest silk, so as to ascend the stairs without tripping on the ragged hem.

He was glad to be wearing a mask. The official story was that it was to protect his identity, so that the relatives of the dead could not seek their revenge. But it was more than that. There was no room for sympathy, not in his job. He was merely a tool, delivering punishment meted out by the will of the people.

And yet, it was hard not to be moved when a girl of only sixteen summers made her careful way across the creaking timbers, her head held high. The cropped hair only served to heighten her youth, the fine bones of her face standing out against her pale skin. She stopped, looking at him with her head slightly tilted to one side. She seemed to be looking through the mask, to the very heart of him. He tensed. Then a ghost of a smile crossed her features and she moved closer still.

‘It is all right.’

She knelt, placing her hands carefully on the block and bending her head forward. Her exposed neck was slender like the stem of a flower, skin pale against the tattered edges of her shorn hair. The sun came through, briefly, gilding the ragged strands. Pale sun on wheat, just as the stories told.

He swallowed. Then swung the axe.

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To read more Blog Battle entries, or to add one of your own, visit Rachael’s blog, The Chronicles of the Twelve Realms. See you there!